Austin Clay Rhoads Fisher is a composer based in Rhode Island, USA.

One of his specializations is collaborating with artists, including Michelle Lopez, Alex Da Corte, Orkan Telhan and Darko Dragičević, to realize sound elements of their works.

He has composed music for The Metropolitan Museum of Art, the Museum of Modern Art, the Philadelphia Museum of Art, the Jewish Museum, The Hudson River Museum, The Center for Craft, the United Nations, Prada and the Ford Motor Company amongst others.

His sounds have filled the galleries of the Whitney Museum of American Art’s 2022 Biennial exhibition Quiet as It’s Kept, The Carnegie Museum of Art for 57th edition of the Carnegie International (2018), the 58th Venice Biennale May You Live in Interesting Times (2019), the Metropolitan Museum of Art, the Louisiana Museum of Modern Art, the Dallas Museum of Art, MOCA Toronto, Prada Rong Zhai, Shanghai, the Institute of Contemporary Art (Philadelphia), the Center for Architecture and Design, and Protocinema.

His music has been covered by publications such as the New York Times, Rolling Stone, Pitchfork, Stereogum, Spin magazine, and Interview magazine.

Select recent projects include:

Why John Wilson Can’t Stop Filming (2025)
Monstrous Beauty: A Feminist Revision of Chinoiserie (2025)
Uncovering Jack Whitten’s Mysterious Abstractions (2025)
Tilda Swinton on putting the soul in AI (2024)
Martin Wong / How To See (2024)
Eau de Toilette Suite (2024)
The Glass Age campaign, Prada (2023)
ROY G BIV (2022)
Matisse: The Red Studio (2022)
Where Do Gardens Come From? (2022)
Spotlight (2022–2023)
Designing Motherhood Narrative Portraits (2021–2022)
Keep Their Heads Ringin’ (2020–2021)
Met Stories (2020)
250kVA (2019)
Rubber Pencil Devil (2018)
Dangerous Beauty (2018)

Austin Clay Rhoads Fisher

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